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March Forth

Wednesday, March 04, 2015

March Forth - I mean March Fourth - is the anniversary of my first day of teaching, 30 years ago today. So it seems like a fitting day to announce that effective May 1st I am letting go the lease on my splendid studio at 3402 Motor, where I've been teaching for 14 years. The studios I leased before 3402 Motor were also wonderful - across the street at 3447 Motor from 1993-2001, Lincoln Blvd 1990-93, the Burbage Theater from 1985-90. But 3402 Motor felt like home. I am not stopping teaching, I am healthy and flourishing, I am just stopping running a studio, shifting to one-on-one coaching and consulting. Letting go of my identity as the shepherd of a studio is a big deal, as that identity has driven me and energized and fed me for 30 years. Workshops that I created and loved and became known for are ending. Now and then I may guest teach or give workshops at some other venue. But my focus will be one-on-one coaching and consulting with directors, actors and writer-directors. And writing that third book. Continuing "Monday tips for filmmakers" on my facebook page. More videos. An audio version of "Directing Actors." Maybe a couple other projects I have in mind. I'm excited. And John is happy. I've always been touched by the way my students notice and appreciate how central and fundamental John is to running the studio. He's my rock. So. We're making a change. But I'm not going away. Stay tuned!

  • “I am eternally grateful for your help.”

    TAIKA WAITITI, writer-director, JOJO RABBIT, THOR RAGNAROK, HUNT FOR THE WILDERPEOPLE, WHAT WE DO IN THE SHADOWS, BOY, EAGLE VS SHARK, FLIGHT OF THE CONCHORDS
  • “I took a seminar with an acting teacher named Judith Weston. I learned a key insight to character. She believed that all well-drawn characters have a spine, and the idea is that the character has an inner motor, a dominant, unconscious goal that they’re striving for, an itch that they can’t scratch. I took to this like a duck to water.”

    ANDREW STANTON [from his Feb 2012 TED Talk] writer-director, FINDING DORY, WALL-E, FINDING NEMO, A BUG’S LIFE; director, BETTER CALL SAUL, STRANGER THINGS; writer, TOY STORY, TOY STORY 2, TOY STORY 3
  • "Judith's method is wonderful because it is practical. She has given me numerous tools to solve problems on the set and to earn the trust of actors. Her classes and her book are invaluable resources to any director."

    LAWRENCE TRILLING, director, GOLIATH, RECTIFY, PARENTHOOD, MASTERS OF SEX, PUSHING DAISIES, DAMAGES, BROTHERS AND SISTERS, NIP/TUCK, MONK, SCRUBS, INVASION, ALIAS, FELICITY
  • "Thank you for teaching me how to direct actors. Taking your classes made me believe I could direct. Taking your classes gave me a base, a foundation, a framework to find my own style. To step out on faith. I'm forever grateful. Love and respect to you, magnificent Judith Weston." 

    AVA DuVERNAY, director, WHEN THEY SEE US, QUEEN SUGAR, A WRINKLE IN TIME, SELMA, SCANDAL, MIDDLE OF NOWHERE
  • "Everything you taught me was more than useful. I am deeply grateful."

    ALEJANDRO GONZÁLEZ IÑÁRRITU, director, THE REVENANT, BIRDMAN, BIUTIFUL, BABEL, 21 GRAMS, AMORES PERROS